While at Glass Canvas I worked on a set of fifteen verified views for a project by Pitman Tozer, an architectural studio I used to follow as a student. These two images were AVR level 3, so I went for photorealism and careful integration within the original pictures.
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1. ARCHITECTURAL VISUALS – MORE THAN STAGE SETS FOR THE EYE
In the previous article we discussed the role played by our senses while exploring a particular landscape. Now we will turn our attention to the process of representation and find concrete ways in which a Visualiser can evoke tactile cues through 3D renderings or other types of computer generated imagery. Read the rest of this page »
1. BRIEF INTRODUCTION TO PHENOMENOLOGY
For practical purposes, I have divided the creative processes involved in the production of architectural visualisations into two categories: first – the exploration of the particular landscape that needs to be represented; second – the graphic representation of the landscape. In this article I will focus on the exploration part, as I did in the previous two.
After discussing the sublime phenomenon, it’s time to reflect on the role played by our senses in the process of exploring and understanding something about the landscape we wish to represent. Our goal is to make art, therefore a phenomenological approach will be more relevant to our endeavour than, say, a reductionist one. Read the rest of this page »